Monday, September 22, 2014

On how the Goldberg Machine aids in the understanding of Darwin Ortiz's contributions to the construction of the magical Effect or quite simply OHTGMAITUODOCTTCOTMEOQS

"Time spent with cats is never wasted"

Sigmund Freud


Those of you lovely readers who happen to be in the luck of calling yourselves friends of yours truly are aware of at least one of the following two things:

First of all, I am a devote student of Darwin Ortiz and what I call the "Strong Magic paradigm" named so dearly after Darwin's stellar book on the theory of magical presentational strategies. However, there is a newer book on construction of the magical effect considered to be the underdog of Darwin's vast contributions to this craft we all know and love and that is the book entitled "designing miracles". While this second book is recent and considerably shorter than what Ortiz has us used to, I think it really encapsulates the real work on the subject in hand.

In both “Strong Magic” and “Designing Miracles” Darwin explains his approach to methodology by posing an interesting axiom that constitutes one of his so called "Darwin's laws", it goes something along the following lines: 

"If the spectators cannot figure out the when, they will never spot the how"

Keep this in mind for before I forget I shall address the second fact about my persona that one must be aware of if it is one's desire to be a reader of this fantastic blog of the modern shenanigans of card artifice

On a more philosophical note, I do not fear a blank canvas but I do not seek inspiration either, I honestly enjoy waiting for an idea to click into place and construct itself in the most perfect of manners.

On the other hand, that may be the reason why I chose not to keep a regularity of any sort when it comes to posting things on this platform. It is my game and therefore I play by my rules, however egotistical that shall sound.

Precisely it was yesterday when that sweet epiphany I was longing for came to me and I decided to begin writing the present essay.

Have you ever heard of a Goldberg machine? Well, allow me to retort:

"…A Rube Goldberg machine is a contraptioninventiondevice or apparatus that is deliberately over-engineered or overdone to perform a very simple task in a very complicated fashion, usually including a chain reaction. The expression is named after American cartoonist and inventor Rube Goldberg (1883–1970)…"
It is not by mere chance that I first teased you with the quote from Darwin's book. You see my lovely pilgrims, it refers to methodology in quite a revolutionary and one could also admit controversial way.

What is really fantastic about Darwin is that he thinks from the spectator's point of view when creating an effect and from a magician's when technique is concerned. I truly believe this to be the reason why he is quite simply the best effect constructor at present, especially but by no means exclusively when it comes to gambling flavored routines

Spectators have a rather linear way of solving problems or seeking plausible explanations to a seemingly impossible effect, Darwin states. In order to prevent the spectators from finding said solutions he employs an indirect methodology in the form of various devices of both manipulative and psychological nature. This change of paradigm demands a higher level of technical ability from the performer which I personally find quite convenient since I absolutely love difficult and unorthodox sleight of hand, even more so when I can properly apply it to my magic.

Magicians often opt for a direct methodology resulting from their inability to differentiate the effect from the method.

Having clarified that I do think that the best Effects are often simple and direct while having quite indirect inner workings, just like the Goldberg machine! Magic is wonderful, is it not?

In an attempt to wrap up I would like to mention one of Darwin's most controversial statements about the methodological directness of Vernon's travelers and Michael Vincent’s solution to the problem entitled "the ultimate travelers". In this routine, Mike manages to get to the true meaning of Darwin’s law and use time displacement to achieve a cleaner version of the effect that ends up with the deck in the box and the magician reaching with empty hands in order to remove the four aces from the pockets, because they are already there.

However, I would feel guilty without mentioning an exception to the previously exposed thesis.

I am of course speaking about my friend John Carey, who manages to fool the spectators by using amazingly simple and direct methods and still keeping that nice balance between smoothness and Spanish influenced psychological ploys.

I hope that trough the use of the comparison between the Goldberg Machine and Darwin’s approach to methodology I may indirect you to a better way of thinking about methods when it comes to constructing a magical effects and ultimately fooling the pants off of the audience.


Cheerio lovely readers, Professor Moriarty checks out



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